7,pp.384-413.
BeverlyBossler,“GenderandEntertainmentattheSongCourt,”inServantsoftheDynasty:PalaceWomeninWorldHistory,editedbyAnneWalthall,Berkeley:UniversityofCaliforniaPress,2008,pp.261-279.
——Courtesans,Concubines,andtheCultofFemaleFidelity,Cambridge,MA:HarvardAsiaCenter,2013.
PeterBurke,TheFabricationofLouisXIV,NewHaven:YaleUniversityPress,1992.
SusanBush,TheChineseLiterationPainting:SuShih(1037-1101)toTungCh’i-ch’ang(1555-1636),Cambridge,MA:HarvardUniversityPress,1971.
SusanBush,Hsio-yenShih,EarlyChineseTextsonPainting,Cambridge,MA:HarvardUniversityPress,1985.
JamesCahill,AnIndextoEarlyChinesePaintings,Berkeley:UniversityofCaliforniaPress,1980.
——ThePainter’sPractice:HowArtistsLivedandWorkedinTraditionalChina,NewYork:ColumbiaUniversityPress,1994.
——JamesCahill,“TheImperialPaintingAcademy,”inPossessingthePast:TreasuresfromtheNationalPalaceMuseum,Taipei,editedbyWenC.FongandJamesC.Y.Watt,NewYork:MetropolitanMuseumofArt,1996,p.159-99.
——JamesCahill,TheLyricJourney:Po
请关闭浏览器阅读模式后查看本章节，否则可能部分章节内容会丢失。
